hans.gerwitz

Tools in the brain-​​attic

Posted on December 29th, 2009

True to my geek nature, I’ve always iden­tified more with intel­lectual protag­o­nists than with the phys­i­cally powerful. Hollywood seems to prefer the “mad scientist” flavor of smart guy, with either an anti­social or self-​​absorbed. It seems the stereo­typical genius must have such a rich mental world that they prefer it to reality, or are at least easily distracted by the goings-​​on of their own thoughts.

I want my heroes to be role models, though, and my own path to self-​​actualization calls for more focus and appli­cation than expansion of knowledge or practice of reason. Conan Doyle’s Sherlock Holmes is remem­bered fondly as a disci­plined wielder of thought.

Guy Ritchie managed to preserve that essence in Sherlock Holmes. Maybe credit is due to Robert Downey Jr., since Tony Stark is a similar hero genius. Regardless, it’s a pleasure to see the prac­ticed employment of intel­li­gence glorified in public enter­tainment (if not politics).

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Kindle

Posted on November 19th, 2007

My completely unwar­ranted review of Amazon’s new Kindle e-​​book reader, without touching one:

The eink screen’s light gray colouring looks ideal, and a bright white would certainly cause eyestrain. But what’s with the white casing? It appears distracting, like reading a paperback in a frame that covers the margins in bright white.

The keyboard is entirely too prominent, consid­ering how unim­portant it is to the reading expe­rience. It leaves the impression the device considers searching and purchasing as primary use cases, rather than browsing and… reading.

Nonetheless, I’m excited about a future the ebooking. Sign me up for a next-​​gen Kindle that’s all screen.

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Violence, sex, heroism, treachery, revenge

Posted on March 9th, 2007

My microreview of 300: This is why God gave us Hollywood.

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Daily Bookmarks

Posted on February 9th, 2007

Links book­marked on 2007-​​02-​​09

Read the rest of this entry »

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Sinaisky in St. Louis

Posted on January 27th, 2007

Just some brief obser­va­tions from tonight’s perfor­mance of the SLSO:

Tchaikovsky’s Romeo and Juliet has been made cliché, so it’s a little difficult to get involved with. But Vassily Sinaisky, the guest conductor, was so enthu­si­as­ti­cally animated and the entirety of the strings were so dead-​​on that this perfor­mance was surpris­ingly fun.

The Playbill had be ready to be fasci­nated by Witold Lutoslawkski’s Dance Preludes and Walter Piston’s Clarinet Concerto, but they both just bored me so that my mind wandered. Scott Andrews drew amazing range and fluidity from the clarinet, but that just wasn’t enough.

The real discovery of the night is Dmitry Shostakovich’s first Symphony. It was engaging, passionate, and full or energy. If anything, it got a bit over-​​the-​​top and seemed like the composer was showing off, but the musi­cians handled it with aplomb and left me hungry for more. I’ll be seeking out more from Shostakovich during my next music binge.

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